Fool's Quest (The Fitz and The Fool Trilogy #2)

Fool's Quest (The Fitz and The Fool Trilogy #2) Page 65

So when I heard the light tap at my door, I set down my cup and stood immediately. The tap came again. And not from the chamber door, but from the concealed door that led to Chade’s old lair. “Fool?” I queried softly, but no one replied. I triggered the door.

It was not the Fool who waited there, but the crow. She looked up at me, turning her head to regard me with one bright eye. Then, as if she were the queen herself, she hopped gravely down the remaining steps and into the center of the room.

It is common for folk who are not Witted to think that those of us with Old Blood can talk to any animal. We can’t. The Wit is a mutual exchange, a sharing of thoughts. Some creatures are more open than others; some cats not only will talk to anyone, but will natter on or nag or pester with absolutely no restraint. Even folks with but the tiniest shred of the Wit will find themselves standing to open the door before the cat has scratched at it, or calling the cat from across the room to share the best morsel of fish. Having been bonded to a wolf for so many years set my thoughts in a pattern that, I believed, made all creatures of that family more open to me. Dogs, wolves, and even foxes have communicated with me from time to time. One hawk I have spoken with, at the bidding of her mistress. One small ferret, ever a hero in my heart. But no Witted one can simply arrow thoughts at a creature and expect to be understood. I considered trying, but the Wit swiftly becomes an intimate sharing. And I had little desire to develop such a bond with this bird. So I did not use the Wit, but only words, as I said to her, “Well, you look much better than the last time I saw you. Would you like me to open the window for you?”

“Dark,” she said, and I was astonished at the clarity of the word, and how appropriate it was. I had heard birds trained to speak, but usually the human words they uttered were simple repetitions bereft of sense or context. The crow walked rather than hopped across the room and studied the window before fluttering to the top of my clothing chest. I did not stare at her. Few wild creatures are comfortable with that. Instead, I stepped carefully past her and opened the window.

Wind and chill came in: The storms of the past few days had paused but clouds promised more snow tonight. For a moment I stood and stared out over the castle walls. It had been years since I had studied this view. The forest had retreated. I could see farm cottages where once there had been only sheep pastures, pastures where there had been forest, and stumplands beyond that. My heart sank; once we had hunted there, my wolf and I, where now sheep pastured. The world had to change and for some reason the prosperity of men always results in them taking ever more from wild creatures and places. Foolish, perhaps, to feel that pang of regret for what was gone, and perhaps it was only felt by those who straddled the worlds of humans and beasts.

The crow fluttered to the windowsill. I stepped back carefully to give her room. “Farewell,” I wished her and waited for her to go.

She cocked her head and looked at me. In that quick way birds have, she twisted her head again and looked out over the world. Then she opened her wings and with a flutter crossed the room and landed with a rattle of crockery on my breakfast tray. Wings spread wide, as if to remind me, she said, “White! White!” Then without hesitation she snatched up and swallowed a shred of bacon. She stabbed at a bit of leftover bread and with a shake scattered it over the floor. She eyed it for a moment, and then disregarded it as she clattered her bill in a dish that had held apple compote.

While she dismembered my breakfast, I went to Lord Feldspar’s trunk. Yes, Chade had supplied him well. I found the bottle of ink and a quill pen. I thought for a bit, then cleared the correspondence from the table. I reversed the quill, dipped the feathered end into the ink bottle, and studied it. It would do. “Crow. Come here. I’ll paint you black.”

She dropped the piece of bacon she’d been trying to shred. “White! White!”

“No white,” I told her. I focused my Wit. No white.

She cocked her head and pointed one bright eye at me. I waited. With a clatter that sent my spoon to the floor, she lifted from my tray and hopped to the table.

“Open your wings.” She stared. I slowly lifted my arms wide. “Open. Show me the white.”

To understand what someone wants is not the same as trusting. She tried. She opened her wings. I tried to dab black on, but she fluttered her wings and spattered ink all over us. I tried again. I talked to her as I worked. “I’ve no idea if this will stand up to rain. Or wind. Or if your feathers will stick together. Open them. No, leave them open. So the ink dries. That’s it!”

By the time I began work on the second wing, she was more cooperative. My arms and my correspondence were freckled with ink. I finished her second wing and went over the first one again. Then I had to make her understand that I had to paint the undersides of her wings as well. “Now dry!” I warned her, and she stood, wings outstretched. She rattled her pinions to put them in order and I was glad to see little spatter of ink. And when she folded them, she looked to me like an ordinary black crow.