Forest Mage (The Soldier Son Trilogy #2)

Forest Mage (The Soldier Son Trilogy #2) Page 52
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Forest Mage (The Soldier Son Trilogy #2) Page 52

In the days that followed, I moved like a ghost in my old home. I had entered an endless tunnel of black despair. This day-to-day existence of meaningless tasks was my future. I had nothing beyond this to anticipate. I hid from my father, and my sisters scrupulously aided me in avoiding them. Once, when I encountered Yaril in the hallway, an expression of disgust contorted her face and anger filled her eyes. Never before had she looked so much like my father. I stared at her, horrified. She made a great show of holding her skirts away from me as she hurried past me and into the music room. She closed the door loudly.

I considered cornering her and demanding to know when she had become such a foul little chit. Growing up, I had indulged her, and often shielded her from my father’s wrath. Her betrayal stung me as no other. I took two strides after her.

“Nevare.”

My mother’s soft voice came from behind me. Surprised, I spun around.

“Let her go, Nevare,” my mother suggested softly.

Irrationally, I turned my anger on her. “She behaves as if my weight is a personal insult to her, with no thought of how it affects my life or what I’ve lost as a consequence of what has befallen me. Does she think I did this deliberately? Do you think I want to look like this?”

My voice had risen to a shout. Nevertheless, my mother answered me softly. “No, Nevare. I don’t think you do.” Her gray eyes met mine steadily. She stood before me, small and arrow-straight, just as she stood when confronting my father. At that thought, my anger trickled out of me like liquid from a punctured water skin. I felt worse than emptied. Impotent. Humiliated by my show of temper. I hung my head and shame washed through me.

I think my mother knew it.

“Come, Nevare. Let us find a quiet place and talk for a bit.”

I nodded heavily and followed her.

We avoided the music room, and the parlor where Elisi sat reading poetry. Instead, she led me down the hall to a small prayer room adjacent to the women’s portion of our household chapel. I remembered the room well, though I had not entered it since I was a child and in my mother’s daily care.

The room had not changed. A half-circle of stone bench faced the meditation wall. At one end of the bench a small, well-tended brazier burned smokelessly. At the other end, a stone bowl held a pool of placid water. A mural of the good god’s blessings covered the meditation wall, with niches in the art where offerings of incense could be set. Two alcoves already held glowing bars of incense. A dark green mint-scented bar burned low in a niche painted like a harvest basket, an offering for good crops. A fat black wedge released the scent of anise into the air as it glimmered, nearly spent, in the niche for good health that hovered over a cherubic child’s head.

With housewifely efficiency, my mother removed the anise incense with a pair of black tongs reserved for that task. She carried it to the small worship pool; it hissed as she dunked it in, and she stood a moment in reverent silence as the remains of the anise brick settled to the bottom. She took a clean white cloth from a stack of carefully folded linens and carefully wiped the alcove clean.

“Choose the next offering, Nevare,” she invited me over her shoulder. She smiled as she said those words, and I almost smiled back. As a child, I had always vied with my sisters for the privilege of choosing. I had forgotten how important that had once been to me.

There was a special cabinet with one hundred small drawers, each holding a different scent of incense. I stood before the intricately carved front, considering all my choices, and then asked, “Why are you sacrificing for health? Who is ill?”

She looked surprised. “Why—I burn it for you, of course. That you may recover from what you have—what has befallen you.”

I stared at her, torn between being touched by her concern and being annoyed that she thought her prayers and silly scented offerings could help me. An instant later I recognized that I did think her incense sacrifices were silly. They were playacting, religion by rote, an offering that cost us so little as to be insignificant. How, I suddenly wanted to know, did burning a brick of leaves and oil benefit the good god? What sort of a foolish merchant god did we worship, that he dispensed blessings in exchange for smoke? I felt suddenly that my life teetered on an eroded foundation. I did not even know when I had stopped having confidence in such things. I only knew it was gone. The protection of the good god had once stood between all darkness and me. I had thought it a fortress wall; it had been a lace curtain.

The elaborately carved, gilded, and lacquered cabinet before me had once seemed a gleaming casket of mystery. “It’s just furniture,” I said aloud. “A chest of drawers full of incense blocks. Mother, nothing in here is going to save me. I don’t know what will. If I did, I wouldn’t hesitate to do it. I’d even be willing to offer blood sacrifice to the old gods if I thought it would work. Cecile Poronte’s family does.” It was the first time I’d mentioned that to anyone. In the days since the wedding, I’d felt no inclination to share any conversation at all with my father.

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